The First and Last and Always Psiloritis Biennale (Tribute)

If a biennale takes place on the top of a mountain, where there is no one to visit it, can it still be appealing? The First, Last and Always Psiloritis Biennale began as an effort to poetically liberate from the institutional framework of work, as an exercise of curatorial and artistic self-sufficiency, as a humorous critique of exhibitional conventions and above all, as an experimental platform for the contemporary culture of the countryside, the spatial and temporal framework for the conception, design and possible implementation of artworks that confront the human soul with nature. Each venture is recorded and imprinted on self-publications of a small number of copies. The biennale attempts, through small but targeted actions at different times, to synthesize a large-scale exhibition set up spread out in the space and time of Psiloritis.